DemonFx Fuzz Works ZVEX Fuzz Factory 7 Clone Pedal

Based on ZVEX EFFECTS Fuzz Factory 7

OVERVIEW:
The Fuzz Works 7 features a 9-position rotary sub
switch that opens the pedal up to an astounding
new bottom end as well as thin,reedy fuzzes.
The fuzz works equally well with both guitar and
bass signals.
There’s also a second stomp switch and an
associated tone control.This passive tone control
operates much the way the one on your guitar does
and when the stomp switch is activated it will let
you roll off the high end of the fuzz sound so you
can mellow out the tone if you like.
The controls of the Fuzz Works 7 are arranged in
a circle around a Lexan window that reveals two
rare germanium transistors, individually
hand-tested for the perfect gain range and low
leakage. These rare and magnificent-sounding
transistors are illuminated by LEDs when the pedal
is engaged.

CONTROLS:
KNOBS: Although the six main control knobs are
named for the parameters over which they seem to
have the most control.They are controls for various
operating levels and biases, and basically shape
you a personalized fuzz.

COMP:Adds attack characteristic when turned to
left, which gets softer to right, and suddenly
pinches tone when all the way right.Also use to
tune in fat feedbacky fuzz, if you’re that kind.
Lower the Stability and see what happens to this
control.

DRIVE:Increases distortion when used as a
“normal” fuzz, and adjusts feedback pitch and
tonal thickness, if you’re that kind. This control
becomes meaningless when Compress is all the
way right.

STAB: Use all the way right. Do not attempt to adjust this control below 2:00, unless you like your fuzz
soft and squishy. Use to con-trol feedback pitch.

FAT： a nine-position
rotary switch that controls the internal tone of the
fuzz, getting fatter and subbier to the left and thinner and reedier to the right. This switch will obviously
change the oscillation range of the pedal as well,
when the other knobs are set to an oscillating or
squealing tone.

TONE: This knob is activated by the left stomp
switch. It’s a pas-sive tone control that mellows out
the high end of the Fuzz Works7, like a simple
lo-pass filter.

VOLUME : Controls output volume.

GATE :Squelches noise after end of sustain. Turn
to right to elimi-nate squeals, hiss and buzz,
stopping just as they disappear, or use to tune in
exact feedback pitch, if you’re that kind. Turning to
left opens gate.

WARNING: Many “incorrect” settings on
this pedal squeal. This may annoy the
faint- hearted. If you use the example
settings, you won’t get hurt. We don’t
want to see anyone hurt. Don’t forget to
memorize or write down your favorite
settings.


EXAMPLE SETTINGS
(These use '' o'clock'' notation-not spinal
tap 1 to 11)
Comprssion fuzz:
Vol 10:00 | Gate 3:00 | Comp 9:00 |
Drive 5:00 | Stab 5:00
Velcro fuzz:
Vol 10:00 | Gate 7:00 | Comp 5:00 |
Drive 5:00 | Stab 2:00
Cleanish hi octave intermodulation:
Vol 10:00 | Gate 2-3:00 | Comp 7:00 |
Drive 7:00 | Stab 5:00
Smooth fuzz:
Vol 10:00 | Gate 7:00 | Comp 3:00 |
Drive 5:00 | Stab 5:00
(lower Stab is more mellow)
Radio fuzz:
Vol 10:00 | Gate 7:00 | Comp 10:00 |
Drive 12:00 | Stab 5:00
Lower from fully clockwise while playing
open ‘A' with left hand.Stop at most
interesting tone.

POWER SUPPLY:
Please use a 9V DC power supply with (–)
polarity on the middle pin (Not Included)
Using the
incorrect supply may damage your pedal.